This is what I heard: Geoff (RealPickle) could possibly be suitable that the strings are somewhat guiding... but that does not bother me that Significantly. Exactly what does trouble me will be the audio with the strings. They're a bit within the synth-y facet of matters, notably the legato traces that are available in Along with the melody. The staccatos are all right - they just sound a little bit dated, but this sort of sound has existed for a while and I can kinda notify myself that it's par for your study course. But in the event the arrangement receives far more detailed (the string arrangement I signify), then it begins to sound a little bit far too... retro.. A couple recommendations: If you're able to mix and match string libraries as this can make the audio a tad far more believable if finished effectively.
Made a decision to depart it out, but nevertheless doubted it would get earlier the screener. The track record descending piano line in the final 8 bars (?) or so felt Nearly a little bit way too 'hey, take a look at me' to my ear, but I assume it had been adequately lower in the combo never to distract? Here is hoping it'll get picked up sooner or later!
From 1:30, it Appears disjointed to me also. I feel the main concern could be the drums — the cymbals really feel isolated with no support from your kick, and a lot of the toms sound from context.
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Thanks for listening plus the responses, telefunkin. Balancing the tension as well as subtlety was difficult, I discovered. Listening to issues enough to generate the vibe, but becoming additional refined than even perhaps than standard given that they desired refined specifically?
So if there is any person reading through this, I am not as techy as I should be, but sure would like some audio enter (justification the pun) on The easiest way to
On the other hand, if you only use sample libraries and gentle synths etcetera then its all about being aware of how to obtain the most effective from them, and naturally arranging, performance, mixing and mastering. Regarding pro sounding recordings the DAW isn't the stumbling block.
Piano feels like it goes outta time at two mins to me - I feel that's what the screener is alluding to
Attempt carrying out it in phases by splitting the monitor across mutliple busses ( instrument groups ) and using the most transparent limiter you've got ( I take advantage of Fabfilter Pro L2 which may be quite cleanse ) after which you can address Each individual buss separately to eke out a bit more level from Every single team and afterwards have them all feed in to the grasp buss with the closing limiter on.
ALL of the present DAWs are capable of pro recordings. They will not increase anything at all although. If your interface is sufficient (and in many cases the low-cost ones are really higher spec now) then its down to recording techniques and machines.
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I would stay with Cubase since you presently understand it. Most of the major DAWs produce pro high quality final results, and plenty of professionals use Cubase. I take advantage of Logic Pro, but when I had been ever going to switch, Cubase might be at the top of my checklist.
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Visualize it like implementing levels of varnish in lieu of executing it all in one huge dollop- you may perhaps end up having 50 % a dozen limiters all shaving slightly off but none of these executing a lot of large lifting and clipping. Should your limiter has oversampling , engaging this may assist also.